"The
Beeches: The Johnston Years and Beyond”
Final home of Annie Fellows Johnston and
her stepdaughter,
Mary Gardener Johnston
Go
to The Beeches: The Lawton Years


A Beeches Postcard signed
by Mary G. Johnston from the Samuel Culbertson Mansion’s collection
After her stepson,
John, died from tuberculosis at the
family’s Penacres home in Texas, Annie Fellows Johnston
returned to Pewee Valley, where the “Little Colonel” stories
began. In 1911, she purchased The Beeches from long-time
friend and confidante,
Mrs. Lawton, and
lived there with her last remaining stepchild,
Mary Gardener Johnston, for the rest
of her life. Their move to The Beeches was noted in the
April 9, 1911 edition of “The Galveston Daily News” State
Society column under items from Boerne (the "little town of
Bauer in Mary Ware in Texas):
Mrs. Annie Fellows Johnston and her daughter left for
their new home in Pewee Valley, Kentucky, Friday (April
7, 1911)
The author’s reason
for purchasing the spacious home, said her daughter in a
1963 interview, was the garden, which also frequently
attracted the eye – and camera -- of the two women’s mutual
friend, photographer Kate Matthews.
According to Katie
Smith’s 1974 “The Land of the Little Colonel,” after
returning to Pewee Valley, “...Mrs. Johnson continued to
write, usually from 9am until noon. After lunch and a rest,
Mrs. Johnston and Miss Mary would often take walks along our
shaded avenues...” Miss Mary would keep quiet in the
mornings, while her stepmother worked in her upstairs study,
located on the backside of the house overlooking the garden.
A description of her study is included in a July 19, 1963
“Courier-Journal” story called “Reminiscences of ‘Little
Colonel’” written by Susan Clarke:
…
Miss Mary showed the way to the study and pointed out
the typewriter Annie Fellows Johnston used. A tall
clerk’s desk, painted white, stood next to the window.
When her mother tired of sitting, she would transfer her
papers and continue to work there, standing up.
Above the desk hangs a large prism. “Mother used to like
to look at things through it,” Miss Mary said. It was
given to the author after her book, “Georgina
of the Rainbows” was published.
Another gallery of photographs lined a wall of the
study. Miss Mary pointed out some of the early members
of the
Louisville Writer’s Club. Annie Fellows was one of
the first….
Evansville, Indiana
reporter Jeannette Covert Nolan supplied additional details
about the room where Annie practiced her craft in a c.1940s
article called “Return from Kentucky.” It was, she wrote:
“…an airy room with white woodwork and furnishings,
frilled white curtains at the windows and Chinese
matting on the floor. The door still bears the metal
placard lettered ‘Headquarters’ which Mrs. Johnston hung
there and the decorative knocker hung there by the
Little Colonel. Mrs. Johnston liked crystals and you
will see several on her desk and suspended above it.
Beside one window is the sturdy ‘standing desk’ which
she designed – because, as Miss Mary says, “she got so
weary of sitting down to her writing.”
The
walls are lined with framed photographs. I noticed among
them, prominently displayed, pictures of two Hoosiers
who were Mrs. Johnston’s contemporaries, James Whitcomb
Riley and Cale Young Rice. There is also a group of
photographs of members of the “Author’s Club” which Mrs.
Johnston founded and which was to develop such talents
as that of Alice Hegan Rice, George Madden Martin,
Frances MacCauley and Eleanor
Mercein Kelly. Scattered liberally in this room
and over the whole house are photographs of the Little
Colonel, her friends and companions.

The Beech’s second-floor study where Annie Fellows Johnston did her
writing
Photo from “Land of the Little Colonel,” published by Katie Smith in
1974
It was in this second
floor writing room that Annie Fellows Johnston penned
Mary Ware's Promised Land (1912), Miss Santa Claus
of the Pullman (1913), Georgina
of the Rainbows (1916),
Georgina's Service Stars (1918), The Little Man
in Motley (1918),
The Story of the Red Cross
(1918), It Was the
Road to Jericho (1919), The Road of the
Loving Heart (1922) and her autobiography, The Land
of the Little Colonel (1929).
Mary Johnston, who
illustrated some of the “Little Colonel” books, had an art
studio in The Beech’s third floor attic. A sketch of the
studio by the artist, herself, is shown below. The
attic, recalls Suzanne Schimpeler, had a wonderful smell,
probably due to the linseed oil in her paints.

Miss Mary’s sketch of her third-floor art studio,
from the private collection of Suzanne Schimpeler
During the years Annie
Fellows Johnston was alive and for years after her death,
The Beeches was a Mecca for “Little Colonel” fans, who
traveled from points far and wide to see it. Both Annie and
Mary graciously welcomed many of these unexpected strangers
inside and would sign photos, post cards and books for them
as souvenirs. A May 15, 1937 “Louisville Times” story
written by Harry Bloom told how one of those pilgrims took
it upon himself to place a sign at the property’s entrance
to make it easier for visitors to find:
ABOUT
A YEAR AGO, Andrew Sandegren, Chicago architect, while
touring Kentucky with his family, wanted to see the home
of the late Mrs. Annie Fellows Johnston, Pewee Valley,
creator of the Little Colonel stories. There were no
signs to guide him and he had to ask so many questions
to find “The Beeches,” that he decided something ought
to be done about it. He did it himself. With the
permission of Mrs. Johnston’s daughter, Miss Mary
Johnston, he erected a neatly-lettered sign at the
entrance: “The Beeches – Annie Fellows Johnston” to
guide all lovers of the Little Colonel stories to their
shrine.
This
year brought a sequel. Not very well acquainted with
this part of the country, Mr. Sandegren didn’t know
whether “The Beeches” was in the floor territory. Last
week when he, Mrs. Sandegren and her mother came to the
Derby he decided to see for himself whether the sign had
suffered flood damage, and if so to replace it.
They
motored out from Louisville and were happy to learn that
the sign was intact. The sign has saved Pewee Valley
neighbors a lot of doorbell ringing by inquiring
tourists. The Little Colonel’s hold on young and old
alike grows with the passing years and the stream of
visitors increases constantly. Last Sunday fifteen motor
parties called within two hours and the record for a
single day is ninety-eight. All are warmly welcomed by
Miss Johnston.
Though many also
requested directions to The Locust,
Miss Mary usually discouraged them:
(“Pewee Valley” by Hewitt Taylor, August 29, 1936
Louisville Herald Post)
Most
of all the visitors ask the way to The Locusts, but Miss
Johnston advises them to pretend they have seen the
picturesque place. Locust Lodge is not actually the home
described in the book and is disappointing to most.
The
stately drive, arched by locust trees, is the same,
however, and one expects to see the old Colonel peering
down the avenue at the strangers looking in the gate.
According to Annie Fellows Johnston's obituary from the
October 5, 1931 "New York Times," The Beeches not only
attracted "Little Colonel" fans. Soldiers from Ft. Knox also
visited by the score after "Georgina's
Service Stars," was published in 1918
After her
stepmother’s death in 1931, Mary Johnston kept The Beeches
much the same as it was while Annie Fellows Johnston was
alive – a task that would have proved impossible without the
assistance of Walker Hardin, Jr., son of the “Walker”
who served as the model for the Old Colonel’s valet in the
stories:
(From “Reminiscences of ‘Little Colonel’” by Susan
Clark, “Courier-Journal,” July 19, 1963)
Miss Mary, who manages “The Beeches” by herself is able
to keep the authentic loveliness of the house and
grounds with the help of Walker (Hardin), who comes
twice a week. “I don’t know how I would find things
without him,” smiles the sprightly Miss Johnston. “I
lost a checkbook the other day and was looking all over
for it. Walker found it under a cushion.”

From the
Courier-Journal Magazine, June 22, 1952
That Mary kept her
stepmother’s effects intact later proved to be a blessing to
Berea College, which secured the original manuscript of her
unfinished novel, “A Mountain Mailbag,” twenty-three years
after the author’s death. Left in a briefcase since Annie
Fellows Johnston set it aside when she first became ill with
the cancer that later claimed her life, “A Mountain Mailbag”
told the story of the struggles of young mountain people who
wanted an education.
The mountain
schools of Kentucky had long been a cause dear to her
heart and she first wrote about them in “The
Little Colonel at Boarding School,” published in 1904.
A July 25, 1954 Courier-Journal Magazine article by Adele
Brandeis recounts the tale of how the manuscript eventually
found its way to Berea College:
This year Dr. Elizabeth Peck of the history department,
who has been at Berea “man and boy” since 1912, was made
college historian. She immediately took over (the papers
of Dr. William J. Hutchins, who was president of the
college in 1920).
To
her great excitement, being a “Little Colonel” fan, she
found two letters from Annie Fellows Johnston, dated
1919 and 1920, in which the author wrote:
“I
am very busy with a work which I hope will be of
profit to Berea, indirectly. It is a book about the
mountain people themselves, putting their various
problems in a story which I hope will have as wide
an influence as my other books seem to have exerted.
It is to be called “A Mountain Mailbag”…D. Appleton
and Company, who will publish the book, are quite
enthusiastic.”
“How strange,” thought Dr. Peck, “that I have never read
that book.” There was no copy in the college library.
And when she wrote the Louisville Free Public Library
staff, they reported that not only was the book not in
the library, but they could find no record of its
publication. Dr. Peck was non-plussed – but not for
long.
She
knew Mrs. Johnston had lived with her daughter, Miss
Mary Johnston at Pewee Valley, so she wrote to ask her:
“Where is that book?”
The
letter, when it arrived at Miss Johnston’s home, “The
Beeches,” created great interest. For Mrs. Johnston had
had the original manuscript ever since the beginning of
the author’s long illness in 1920. It had rested there
in Pewee Valley all this time in its original briefcase.
Miss Johnston immediately sent the first two chapters to
Dr. Peck and asked her to go over them, explaining that
the briefcase contained parts of 16 chapters and a
heading for a 17th –_ some quite complete,
some fragmentary, some only in summary. They were in
typescript with notes in Annie Fellows Johnston’s
handwriting.
Berea wrote back that they wished they might own the
manuscript, but could not afford to buy it, and did not
know whether in its incomplete state anyone would
publish it. But they asked if they might have it on loan
for display…
Miss Mary Johnston said she would be delighted to give
the manuscript to Berea. She has been wondering for
years what she ought to do with it to make it accessible
for she that interest in Mrs. Johnston’s work had never
waned….
A “Call
of the Pewee” article from a special bicentennial issue
provides information about renovations made to the home’s
interior after Mary Johnston’s death in 1966.

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Recent Photo of the Beeches
Thanks to
Sue Berry and Alex Luken for sending us newspaper clippings
from the Louisville Free Public Library’s York Street branch
and the Kentucky Historical Society’s library in Frankfort,
Ky. that are quoted on this page. Also special thanks to
Suzanne Schimpeler for sharing her sketch of Mary Johnston’s
studio and to Margie Fletcher Thompson for the color photo
of The Beeches from 1952
Go
to The Beeches: The Lawton Years
Page by Donna Russell
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The Places: In Pewee (Lloydsboro) Valley:
Map,
Map 2,
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Confederate Home
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Minor Places In Old Louisville:
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Mansion, "Home of a Hero"
in Indiana::
The Cuckoo's Nest (Indiana), In Arizona:
Lee's Ranch,
Camelback Mountain &
Hole-in-Rock, In Texas:
San Antonio,
The Little Town of Bauer (Boerne),
Penacres,
The Barnaby Ranch,
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The Gate of the Giant Scissors
Letters from Annie
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